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Otoliths Of Common Australian Temperate Fish

RRP $24.99

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The accurate identification of fish 'ear-bones', known as otoliths, is essential to determine the fish prey of marine and terrestrial predators. Fish otoliths are species-specific when combining size, shape and surface features, and can remain undigested for long periods. As a result, they can indicate which fish make up the diet of various predators, including cephalopod, seabird, marine mammal and fish species. Such studies are crucial for understanding marine ecosystems, and trophodynamics in particular. Increasingly, these methods are being used to understand the diet of some terrestrial predators, also extending to that of humans in archaelogical studies.

Otoliths of Common Australian Temperate Fish offers users a verified reference collection to assist in the accurate identification of species and size of fish using otoliths. It covers 141 fish species from a broad geographic range of the Australian temperate region and includes commercial and non-commercial fish species. A standardised written description of the otolith structure, size and surface features is provided for each species. Included are brief distribution and ecology notes, and regression for both otolith and fish lengths, together with high-quality SEM photographs of the otolith described.

This guide will be an essential reference for marine scientists and marine mammal researchers; ornithologists, fisheries researchers and fish biologists studying age and growth or comparative anatomy; and archaeologists.

Dianne Furlani has worked in temperate marine science for 20+ years in the fields of taxonomy, biology and ecology, predominantly in SE Australian shelf and inshore waters, and predominantly working on finfish species and ecological work typically with links to trophodynamic studies.

Dr Rosemary Gales is Section Head, Wildlife and Marine Conservation Section, Biodiversity Conservation Branch, Department of Primary Industries and Water (DPIW).

David Pemberton is Senior Curator of Southern Ocean and Antarctica, The Tasmanian Museum and Art Gallery.


A Corpus Of Rembrandt Paintings

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Since the second half of the last century art historians, realizing that the image of Rembrandt's work had become blurred with time, have attempted to redefine the artist's significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future.They examined the originals of all works attributed to Rembrandt taking full advantage of today's sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis - thereby gaining valuable insight into the genesis and condition of the paintings.The result of this meticulous research is laid down chronologically in the following Volumes:THIS VOLUME: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt's early years in Leiden(1629-1631), published in 1982.A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986.A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990.Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in:A. Paintings by Rembrandt, B. Paintings of which Rembrandt's authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt's authorship cannot be accepted.This volume (Volume I) contains 730 pages, starting of with four introductory chapters and discussing 93 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume the first ever works by Rembrandt are discussed, also using his etchings as comparison.



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Australian Art Photographic Art Australian Crafts Aboriginal Culture
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Portrait Australia Books

Australian Art Photographic Art Australian Crafts Aboriginal Culture
Australian Paintings Australian Prints Aboriginal Art Native Art

Portrait Australia

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